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'Michael Ludwig is a fine advocate for the two concertos, having total
technical command as also a relaxed approach to the winding cantilena
that Dohnanyi so deftly spins for the soloist. It is a very impressive
performance. It is clear that JoAnn Falletta, doughty champion of many
American novelties, has admirable understanding of Dohnanyi's late-
Romantic idiom, allowing the music all the breathing-space it needs
but underlining, too, its latent humour. The Royal Scottish National
Orchestra is on splendid form, with many a telling solo line, and
worthy cor****ate response to a composer Naxos is rightly championing.'
- Robert Anderson, writing in today's Music & Vision
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