Re: Quicky about naming a chord

"David Webber" <dave@[EMAIL PROTECTED]
> wrote in message 
news:frlvi7$dk6$1$8300dec7@[EMAIL PROTECTED]
>
>
> Put another way:  if 12tet meant that enharmonics were unim****tant in 
> other cases, you could happily write a Cmajor scale as
>
> B# Ebb Dx  Gbb Fx   A  Cb  Dbb.
>
> But if you do it, and argue it's ok because it's 12tet, I won't give
much 
> for your chances :-)
>

Can't recall the piece, but Satie once wrote a 4 octave piano arpeggio 
spelled Dx, Fx, B# (= a 1st inversion C) as a commentary on what he felt
was 
Debussy's overly complicated notation.

Tom K.