Re: Quicky about naming a chord

"Hans Aberg" <haberg_20080313@[EMAIL PROTECTED]
> wrote in message 
news:frovb9$d3q$1@[EMAIL PROTECTED]
> Since it was a reply to Dave, expect it from him.
>
Did you not recognize it was in sup****t of Dave's position?

Hans, can you point out how Beethoven (or Mozart or Bach) exploited the 
symmetry and multifunctional possibilities of the diminished 7th chord - 
i.e. as a modulatory pivot chord?  I can't find this with any frequency
much 
before 1860.

OK, now it is a reply to and addressed to you.  So your reponse is?

Tom K.