Re: Quicky about naming a chord

Tom K. wrote:

> Did you not recognize it was in sup****t of Dave's position?

I am not sure what his position was, so you will have to explain what 
you are sup****ting.

> Hans, can you point out how Beethoven (or Mozart or Bach) exploited the 
> symmetry and multifunctional possibilities of the diminished 7th chord -

> i.e. as a modulatory pivot chord?  I can't find this with any frequency
much 
> before 1860.

I don't know any such examples.

> OK, now it is a reply to and addressed to you.  So your reponse is?

Do you want to address the issue of using dim7 as a pivot chord in 
non-12-ET? If so, it is a rather roundabout way to do it.

   Hans