by Joey Goldstein <nospam@[EMAIL PROTECTED]
>
Mar 25, 2008 at 09:48 AM
Steve Latham wrote:
> All this talk has gotten me interested.
>
> When do Tritone Subs come on the scene?
>
> Is it something where players started substituting these chords for a V7
in
> an already written piece, or where composers actually writing them in?
>
> Are they found in Glenn Miller? Where people doing them in "head"
> arrangements (any that were written out)?
>
> Anyone got a "Brief History of the Tritone Sub"?
>
> Meanwhile, I'll check, ****ver, Wiki.
>
> Steve
>
>
It may have come about when bass players started improvising their own
bass lines and found that they liked the sound of dom7 chords with the
b5 in the bass as they were moving towards the I chord.
--
Joey Goldstein
<http://www.joeygoldstein.com>
<http://homepage.mac.com/josephgoldstein/AudioClips/audio.htm>
joegold AT sympatico DOT ca
