Re: Unanswered Question #1

"LJS" <ljschenck@[EMAIL PROTECTED]
> wrote in message 
news:8943f43e-8d52-4395-85cb-d7e5d73f47a8@[EMAIL PROTECTED]
> On Apr 7, 11:32 am, ttw6...@[EMAIL PROTECTED]
 wrote:
>> Shephard's book is interesting. I found it useful. The only objection
>> I had was that he considered the augmented sixth chords to be a
>> species of "dominant" harmony. That seems common from about 1880 to
>> 1930 or so. There was nothing wrong with the progressions, just the
>> concept. Orem's book on composition (I haven't seen his others) does
>> the same.
>
> Maybe they were confused by the Jazz players of the day and their use
> of Tri Tone Sub! lol
> LJS

Or maybe the jazzers that introduced the Tritone Sub in the 30's & 40's
read 
Shepard!

Tom K.