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Re: 7b5, or 7#11?
by "BobW" <nimby_NEEDSPAM@[EMAIL PROTECTED]
>
Jun 21, 2008 at 11:08 PM
| "Steve Latham" <llatham@[EMAIL PROTECTED]
> wrote in message
news:GSj7k.167$cv5.29@[EMAIL PROTECTED]
>C E Gb Bb
>
> C E Bb F#
>
> See the problem?
>
> Are these normally named by voicing in much the same way that "add2" and
> "add 9" are?
>
> C add 2 C D E G
> C add 9 C E G D
>
> ????
>
> Steve
>
I am far from being an expert (as far as you can get). However, to me,
this
chord screams to be called a flat fifth because of the way it sounds. It
simply sounds like it's the fifth that's being replaced with its flat
counterpart.
In Elton John's 'Honky Chateau' album, there's a song called 'Amy'. It's
full of these (what I'm calling) flat fifths in both the minor and major
chords. It really gives it a cool edgy feeling.
Bob
--
== NOTE: I automatically delete all Google Group posts due to uncontrolled
SPAM ==


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17 Posts in Topic:
|
"Steve Latham" |
2008-06-22 03:42:30 |
|
LJS <ljschenck@[EMAIL |
2008-06-21 21:47:29 |
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"BobW" <nimb |
2008-06-21 23:08:55 |
|
"David Webber" |
2008-06-22 08:08:24 |
|
"Steve Latham" |
2008-06-22 16:29:12 |
|
"David Webber" |
2008-06-22 18:21:02 |
|
"Steve Latham" |
2008-06-22 17:57:52 |
|
"David Webber" |
2008-06-23 10:19:48 |
|
Melodious Thunk <thunk |
2008-06-23 18:37:35 |
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"David Webber" |
2008-06-24 08:37:47 |
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"Steve Latham" |
2008-06-24 18:34:22 |
|
LJS <ljschenck@[EMAIL |
2008-06-25 06:45:58 |
|
"Fiona Abrahami" |
2008-06-22 11:35:53 |
|
"Steve Latham" |
2008-06-22 16:48:33 |
|
"Fiona Abrahami" |
2008-06-22 18:21:03 |
|
"Steve Latham" |
2008-06-22 17:58:45 |
|
LJS <ljschenck@[EMAIL |
2008-06-22 08:12:20 |
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